Often, in discussions about old movies, someone will say, “That movie couldn’t be made today.”, and inevitably someone else will disagree.

    • credo@lemmy.world
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      7 days ago

      You couldn’t make the sixth sense either, because people would already know the ending.

      • FenrirIII@lemmy.world
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        16 hours ago

        Richard Pryor helped write the movie. The racists components were intentional as they were period relevant and ripe for mocking

  • m4xie@lemmy.ca
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    5 days ago

    My highschool physics teacher said the Nazis recorded X-ray video of Holocaust victims knees as they walked. Because MRI machines and other medical imagers aren’t large enough to walk around in, the films are still one of the best sources of how the bones actually move naturally under load in situ surrounded by the connective tissue.

    The radiation dose required to expose regular film at 24 frames a second killed the subjects.

    I really hope they don’t ever make movies like that again.

  • m4xie@lemmy.ca
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    5 days ago

    In 2021 my friend’s roommate said you couldn’t make a movie like Borat these days. I immediately pointed out they made a Borat movie the year before.

    I didn’t point this out, but he claimed to be 6’2" while being a few inches shorter than me, and I’m 5’11".

  • Treczoks@lemmy.world
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    6 days ago

    Look up all the stunts Buster Keaton did, and shiver. Or The Little Rascals or Hal Roach’s Rascals, whatever they were called.

    Or the 1968 version of Romeo and Juliet - while probably one of the best versions ever, nobody today would dare to think doing a movie like that today - it would be criminal.

  • GraniteM@lemmy.world
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    6 days ago

    Labyrinth and The Dark Crystal. No way would a studio agree to do that much hand-crafted work. They’d just have the stars reacting to a bunch of tennis balls and “fix it in post.”

  • hoagecko (he/his)@sh.itjust.works
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    7 days ago

    Silent films using tens of thousands of performers and large-scale stage sets will probably never be made again.

    This is because modern audiences take sound in films for granted, making it impossible to expect box office returns that match such an investment.

  • finallymadeanaccount@lemmy.world
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    7 days ago

    Birth of a Nation.

    Although Tarantino would probably try, so long as he could star in it alongside Samuel L Jackson, and call Samuel L Jackson the n-word ‘for the cinematographic art of it, really, it’s crucial to the film’. Because, aside from feet, that’s his fetish.

    • ProfThadBach@lemmy.world
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      6 days ago

      I was gong to say Birth of a Nation but then I thought about who the American people elected and I changed my mind.

    • RoidingOldMan@lemmy.world
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      6 days ago

      “Buckman! There was a fingernail in my food, ya fatass moron! Yesterday, it was a Band-Aid!”

      Buckman: “Sorry, sir. The Band-Aid was holding the fingernail on.”

  • RoidingOldMan@lemmy.world
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    6 days ago

    No Way Out (1950). Depicts a race riot. At one point a character uses the N word dozens of times in a row uninterrupted. Much of Sidney Poitier’s career would be hard to remake these days. Pressure Point (1962) where he’s a therapist trying to deprogram a Nazi. Maybe that’s exactly what the world needs a remake of right now, but we’re not gonna get it.

    Basic Instinct (1992), Body Heat (1981), that sort of thing. They might remake it into a TV show, but they’re not putting that much sex in theaters.

    Charlie Chan. A series of detective films about a Chinese detective who was always played by a white guy. Though you could make this movie in 2026, you wouldn’t cast a white person.

    Countless movies where the subject matter is painfully out of date. They used to make anti-alcohol pictures when prohibition was a thing. Couldn’t vs. wouldn’t, I guess.

    • SaraTonin@lemmy.world
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      6 days ago

      Even if you cast an East Asian actor, i don’t think you could do Charlie Chan films, given how he’s a ” Yellow Peril “ stereotype. Even Marvel had to make their equivalent character a deliberately racist stereotype played by an actor