I recently rewatched Army of Darkness for the first time in forever and I was so charmed by all the practical effects. The eyeball in the shoulder still gets me lol. Practical effects aside, the whole movie was a lot of campy silly fun. It’s just a gem of a movie.

What’s your favorite movie that uses lots of practical effects?

Do you have a favorite practical effect of all time?

Any movies like Army of Darkness you’d recommend?

  • SSTF@lemmy.world
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    6 months ago

    What’s your favorite movie that uses lots of practical effects?

    The Thing has to be up there if the criteria is just an overall great movie heavy on practical effects.

    Do you have a favorite practical effect of all time?

    The “digital” wireframe view of the city from Snake’s glider in ‘Escape From New York’.

    It was accomplished with miniature buildings which is rad.

    • bulwark@lemmy.world
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      6 months ago

      Thats super interesting about the wire frame intro to Escape From New York. I’ve seen that movie a ton of times but I always thought that part was early digital.

  • khannie@lemmy.world
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    6 months ago

    Aliens.

    Still holds up in 4K nearly 40 years on. The drop ship, the mother alien, the armoured carrier, all incredible looking.

    • IphtashuFitz@lemmy.world
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      6 months ago

      Sigourney Weaver battling the queen alien in that loader is one example that often pops into my head when this sort of question comes up.

    • shalafi@lemmy.world
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      6 months ago

      Probably watched that movie 100 times. Last year I put it on for my wife, sat and really watched for the first time in ages. My god, came out when I was a child, still a perfect movie.

      • khannie@lemmy.world
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        6 months ago

        Yes!!! Me too!!! I recorded it onto a VHS tape off the TV as a kid and I’m probably at a similar watch count to you. It’s my favourite movie of all time.

  • Snot Flickerman@lemmy.blahaj.zone
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    6 months ago

    The Fall

    https://en.wikipedia.org/wiki/The_Fall_(2006_film)

    Singh stressed the importance of on-location filming and lack of special effects, as he found that modern techniques would not age well in comparison.

    When shooting scenes of the blue city in Jodhpur, Tarsem provided locals with blue paint to refresh the paint on their houses. This alternative to post-production effects resulted in the vibrant blue of the city in the film.

    This entire film is practically a love letter to early film practical special effects. Is it the best story? No, the story is flat in many respects. Yet the film to this day is visually stunning, and stands as one of my favorite films due to it’s visually captivating presence. The film surely does have small amounts of modern special effects, but by and large Singh worked very hard at producing mostly practical effects.

  • EvilBit@lemmy.world
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    6 months ago

    Be Kind, Rewind

    Kind of a joke answer because if you don’t know it, the entire premise is some guys remaking classic movies based on their memory and just a bunch of whatever junk they can find. It’s adorable, clever, inventive, and bewilderingly creative. It’s by the director of Eternal Sunshine of the Spotless Mind, several White Stripes videos, the Daft Punk video for Around the World, and so much other brilliant stuff.

  • SlippiHUD@lemmy.world
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    6 months ago

    I haven’t seen it mentioned, but I think Tremors (1990) is very much in the same genre as Army of Darkness, and I’m pretty sure the whole movie is pure practical effects.

  • GraniteM@lemmy.world
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    6 months ago

    Watch the original Gone in 60 Seconds, from 1974. The car stunts are absolutely insane, to the extent that they probably shouldn’t have been allowed to make the movie the way they did, but it happened and I’m glad that cameras were rolling. The Nic Cage remake was trying to make a movie safer, slicker, and more coherently, but there’s no replacement for a bunch of insane stunt drivers risking their lives and the lives of everyone around them.

  • BlameTheAntifa@lemmy.world
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    6 months ago

    John Carpenter’s The Thing is the peak. It does not go higher.

    The Terrifier films are unbeatable for practical gore.

    David Cronenberg’s The Fly is also a must-watch if you like practical creatures.