In the Lord of the Rings fandom there’s a persistent debate whether balrogs, or Durin’s Bane specifically, have wings. The text in Fellowship is ambiguous whether what it is describing are literal wings or something else wing-like.
In the Lord of the Rings fandom there’s a persistent debate whether balrogs, or Durin’s Bane specifically, have wings. The text in Fellowship is ambiguous whether what it is describing are literal wings or something else wing-like.
Yeah by the time you add effects, throw that synth into a full mix with other instruments, THEIR effects, and all the compression and EQing in a finished track, the only thing that matters is whether that single instrument adds what it needs to add to the whole.
Objectively, digital oscillators are better - they don’t drift unless you want them to, they stay in tune, and they can always be run through analogue filters to add imperfections (sorry, “warmth”).
But it still boils down to my first point: it’s a single part of a multi-part song. As long as it gets the job done, who cares whether it’s fluctuating voltage or zeroes & ones. It’ll be analogue on its way into the listener’s ear canal either way.
Absolutely. So much nuance is lost in a mix. Not that it’s a bad thing, it’s just dumb to think a $3000 synthesizer is going to sound better than a $10 plugin when you’ve got it buried amongst guitar, bass, drums, and vocals.